✦ Italy, Urbino region, Gubbio · 1527

Arms at the centre of the table

An Italian maiolica plate puts a family identification inside a much larger decorative composition.

← All object studies
An Italian plate with a blue and gold ornamental rim and a central shield containing checked compartments, crescent shapes, and a red area; an animal appears above the shield.
Plate with Arms of the Vitelleschi Family. Cleveland Museum of Art, 1950.155. 1527. Source photograph ↗.

Purchase from the J. H. Wade Fund · CC0. Resized without cropping or recolouring.

Enlarge the photograph ↗

✦ Photograph-based observations

How much of the plate belongs to the arms?

The shield occupies the centre of the plate. Around it is a broad blue rim filled with gold and pale ornament. The circular vessel and the armorial field have different boundaries.

Within the shield, checked compartments and crescent-shaped marks appear beside a red area. A small animal appears above it. The photograph supplies these visible relationships before it supplies a complete explanation of them.

What the record tells us

Cleveland dates the plate to 1527, identifies its arms with the Vitelleschi family, and assigns the maker to the circle of Maestro Giorgio Andreoli. The medium is tin-glazed earthenware with gold luster, and the catalogue gives Gubbio in the Urbino region as its cultural location. The recorded diameter is 26.3 cm. [1]

✦ Editorial interpretation

What follows from the arrangement?

Begin by separating the central armorial display from the ornament on the vessel. A blue rim is not automatically a blue bordure in the arms. The difference is spatial: does a feature belong inside the armorial field, around that field as heraldic composition, or elsewhere on the plate? State your reasoning rather than assigning every decoration a blazon term.

The maker field deserves the same care as the family identification. Circle of an artist describes an attribution category; it does not give us an autograph signature. Copying only the artist’s name into a caption would make the evidence look more definite than the museum presents it.

An armorial vessel invites a story about a wedding, a gift, or a wealthy household. Those are possible research questions. This plate’s visible design does not identify a particular ceremony, patron, or dining arrangement. Start with the documented object and seek an inventory, commission, or dated account that can connect it to a specific occasion.

Claims and their evidence

ClaimEvidenceLimit
The vessel’s ornamental rim surrounds a smaller central armorial display.Object photographThe rim should not automatically be read as part of the arms.
The plate bears the arms of the Vitelleschi family.Museum catalogue title [1]Institutional identification; no particular patron established here.
The maker is placed in the circle of Maestro Giorgio Andreoli.Museum maker field [1]Circle attribution retained; not an autograph attribution.

✦ Your turn

Explain what supports your conclusion.

Draw three boundaries on a rough sketch: the vessel, its ornament, and the armorial display. Explain one feature that would be lost in a shield-only redrawing. Then draft a caption that preserves the museum’s maker attribution without turning it into a named commission.

Discuss your answer

A strong answer distinguishes the decorated rim from the central field and preserves the words circle of. It treats the family identification as catalogue evidence and leaves the identity of a patron or a specific occasion unresolved. The plate’s function needs object and documentary context as well as its decoration.

Take the research further

Compare this plate with another documented armorial vessel from the same region. Ask whether their attributions rely on marks, inscriptions, workshop comparisons, or later cataloguing. Do not use a resemblance between painted arms as the sole basis for assigning both pieces to one service.

Return to the related Academy reading ↗

Sources and image rights

  1. Cleveland Museum of Art, Plate with Arms of the Vitelleschi Family, accession1950.155. Record consulted 2026-10-09. The date above describes the artifact or photograph, not the publication date of this webpage.
  2. CC0 — image rights. The individual collection record permits this image’s reuse under CC0. Catalogue prose is summarized in our own words. Image credit: Purchase from the J. H. Wade Fund.
Show the BibTeX citation
@misc{jhheraldry_object-vitelleschi-maiolica,
  author = {{Cleveland Museum of Art}},
  title = {Plate with Arms of the Vitelleschi Family (accession 1950.155)},
  howpublished = {\url{https://www.clevelandart.org/art/1950.155}},
  url = {https://www.clevelandart.org/art/1950.155},
  note = {Original-language museum collection record. Accessed 2026-10-09.}
}