✦ France, Paris · c. 1405

A royal identity inside a prayer book

Charles of Navarre’s arms occupy a decorated leaf, while the manuscript’s commission and acquisition remain separate questions.

← All object studies
A small red-and-blue armorial shield sits inside a lobed frame, surrounded by fine vines, birds, and coloured ornament. It occupies a complete manuscript leaf rather than an isolated register entry.
Hours of Charles the Noble, King of Navarre (1361-1425): fol. 137r, Coat of Arms of Charles the Noble. Cleveland Museum of Art, 1964.40.137.a. c. 1405. Source photograph ↗.

Mr. and Mrs. William H. Marlatt Fund · CC0. Resized without cropping or recolouring.

Enlarge the photograph ↗

✦ Photograph-based observations

Did the owner commission the book?

A small red-and-blue armorial shield sits inside a lobed frame, surrounded by fine vines, birds, and coloured ornament. It occupies a complete manuscript leaf rather than an isolated register entry.

The border is much larger than the heraldic field. Its animals and plants contribute to the page’s decoration without necessarily becoming charges in the shield.

What the record tells us

The museum identifies folio 137r from the Hours of Charles the Noble, King of Navarre, and dates the Parisian manuscript around 1405. It reports his arms on numerous leaves and proposes acquisition during a Paris visit in 1404–05, possibly from the luxury market, rather than a direct commission. The proposed acquisition history remains qualified. [1]

✦ Editorial interpretation

What follows from the arrangement?

A book carrying a reader's arms looks personalized, but personalization does not tell us how the book was obtained. The reader could have ordered it from the start, bought it from an existing stock, received it as a gift, or inherited and adapted it. Those possibilities imply different relationships between production and ownership. Cleveland's proposed market acquisition matters because it leaves that relationship open. Repeated arms give us evidence to investigate across the manuscript, rather than permission to turn its owner into the patron of every stage of manufacture.

A single leaf also has limits as a witness to a whole codex. Border style, text, armorial additions, and the relation between recto and verso need comparison across the manuscript. Keep the folio number in every citation so that another reader can find the particular armorial display behind your description.

Claims and their evidence

ClaimEvidenceLimit
A small red-and-blue armorial shield sits inside a lobed frame, surrounded by fine vines, birds, and coloured ornament. It occupies a complete manuscript leaf rather than an isolated register entry.Object photographPhotographed arrangement; not a new dating or bearer identification.
c. 1405; France, Paris.Museum object record [1]Catalogue date and attribution, with their stated qualifications.
The museum identifies the leaf as folio 137r of Charles’s Hours.Museum object record [1]The proposed acquisition does not establish a direct royal commission.

✦ Your turn

Explain what supports your conclusion.

Create a timeline with separate tracks for production, acquisition, and armorial personalization. Put each catalogue claim on the appropriate track and mark proposals as proposals. Then compare the size and placement of the arms with the surrounding page decoration.

Discuss your answer

A strong answer cites the individual folio rather than only the book’s title. It preserves the possibility of market acquisition, declines to identify every border creature heraldically, and asks what material or documentary evidence would establish when the arms were added.

Take the research further

Locate another leaf carrying Charles’s arms. Compare its border, shield frame, pigments as photographed, and relation to the text. Ask whether a consistent placement supports a planned decoration programme, while keeping physical inspection and conservation evidence separate from image-based comparison.

Return to the related Academy reading ↗

Sources and image rights

  1. Cleveland Museum of Art, Hours of Charles the Noble, King of Navarre (1361-1425): fol. 137r, Coat of Arms of Charles the Noble, accession1964.40.137.a. Record consulted 2026-10-10. The date above describes the artifact or photograph, not the publication date of this webpage.
  2. CC0 — image rights. The individual collection record permits this image’s reuse under CC0. Catalogue prose is summarized in our own words. Image credit: Mr. and Mrs. William H. Marlatt Fund.
Show the BibTeX citation
@misc{jhheraldry_object-charles-navarre-hours,
  author = {{Cleveland Museum of Art}},
  title = {Hours of Charles the Noble, King of Navarre (1361-1425): fol. 137r, Coat of Arms of Charles the Noble (accession 1964.40.137.a)},
  howpublished = {\url{https://clevelandart.org/art/1964.40.137.a}},
  url = {https://clevelandart.org/art/1964.40.137.a},
  note = {Original-language museum collection record. Accessed 2026-10-10.}
}